Winograd, T.: Understanding Natural Language.

Wiley, New York (1987) revised and extended for the second edition (1992) (ed.) Encyclopedia of Artificial Intelligence. Lawrence Erlbaum Associates, Mahwah (1977) Schank, R.C., Abelson, R.P.: Scripts, plans, goals, and understanding: an inquiry into human knowledge structures. Reynolds, C.W.: Flocks, Herds, and Schools: A Distributed Behavioral Model. Reas, C., Fry, B.: Processing: a programming handbook for visual designers and artists. Prusinkiewicz, P., Lindenmayer, A.: The Algorithmic Beauty of Plants. In: Proceedings of the 29th Annual Conference on Computer Graphics and Interactive Techniques (SIGGRAPH 2002), pp. In: Data Flow 2, Visualizing Information in Graphic Design, p. Mednick, S.: The Associative Basis of the Creative Process. In: A Conference on Generative Systems in the Electronic Arts, CEMA, Melbourne, Australia, pp. McCormack, J., Dorin, A.: Art, Emergence and the Computational Sublime. Kauffman, S.A.: The origins of order: self-organization and selection in evolution. In: Proceedings of the Congress on Evolutionary Computation, pp. Hu, J., Goodman, E.: The hierarchical fair competition (HFC) model for parallel evolutionary algorithms. Emergence: Complexity and Organization 1, 49–72 (1999) Goldstein, J.: Emergence as a Construct: History and Issues. Gielis, J.: A generic geometric transformation that unifies a wide range of natural and abstract shapes. In: Studies in Natural Language Processing, Cambridge University Press, Cambridge (2005)ĭijkstra, E.W.: A note on two problems in connexion with graphs. Report ILK 04-02, Tilburg University (December 2004)ĭaelemans, W., van den Bosch, A.: Memory-based language processing. Psychological Review 82(6), 407–428 (1975)ĭaelemans, W., Zavrel, J., van der Sloot, K., van den Bosch, A. Design Studies 25(2), 113–153 (2004)Ĭollins, A.M., Loftus, E.F.: A Spreading-Activation Theory of Semantic Processing. Journal of Experimental & Theoretical Artificial Intelligence (1991)Ĭleveland, P.: Bound to technology - the telltale signs in print. Journal of Mathematical Sociology (2001)Ĭhalmers, D.J., French, R.M., Hofstadter, D.R.: High-Level Perception, Representation, and Analogy: A Critique of Artificial Intelligence Methodology. 1462–1467 (2002)īoden, M.: What is generative art? Digital Creativity 20, 21–46 (2009)īrandes, U.: A Faster Algorithm for Betweenness Centrality.

Proceedings of the 2002 Congress, vol. 02, pp. In: Proceedings of the Evolutionary Computation on 2002. Blackwell, T.M., Bentley, P.: Improvised music with swarms.

Nodebox network data